Something unique is going on here, he said. Strange, you could say. I watch and I watch and I watch yet nothing happens. There is no movement, he says to Jim.
Did you check the pulse? Jim asks.
I put my hand on her wrist. Placed my head to her heart. I felt it beating. Heard it, Thomas told him.
So she’s alive?
Yes. I guess so. But there’s no breath. Thomas sits next to the body. No air. Not from her mouth or nose, Thomas says.
Laughter comes from a room down the hall. A boy singing loudly. Yelling about nothing in particular. Just screaming to hear his own voice. It’s two o’clock in the morning.
Jim and Tom look at each other. They don’t say a word. The boy down the hall continues his tirade of incoherent verbiage.
Thomas lifts the woman’s arm and lets it fall to the floor. She still does not move.
Maybe she’s in a coma, Jim speculates. She’s not dead. There’s a pulse. A heartbeat. Right? Or am I hoping for that?
Thomas shrugs.
Should we call an ambulance? Jim asks.
And say what? What would we say? They’ll put us away forever, Thomas explains.
We didn’t do anything. Jim looks out the window. He looks down on 24th Street. Help me lift her.
No. You’re not serious, are you? Thomas looks at the body.
Just help me. Jim holds the window up with a yard stick. They drag the girl across the floor. Jim looks down and sees no one. He grabs her under the arms and lifts.
She’s still breathing, Jim. Come on now, Thomas tells him. Let’s just call 911. Please.
There is now loud music coming from down the hall. A tribal beat. Drums struck. The boy yells out words and sounds. The noise is piercing.
Come on, Jim says. Pick up those legs. The two lift her like a two by four. Jim sticks her head out the window and then her torso. Push, Tom. Push. Get out of the way. I’ll do it. A boy to do a man’s job.
The beat is getting louder down the hall. The music is driving Jim insane. He lifts the legs over the window seal, sending her into flight. She does not land. She just flies.
The screaming and drums down the hall have come to a halt.